Praveen Swami on the History of Postcolonial India

Let me try to share a few ideas and notes to help you digest the fascinating and insightful lecture by Praveen Swami on the history of postcolonial India.

On Monday, we surveyed some of the factors that shaped South Asia in antiquity, in the early modern period, in the colonial period, and up to independence and partition in 1947. Swami shared a set of (true) stories to help us understand the challenges of nation-making in contemporary India from 1947 forward.

As an introduction

This is a story of nation making, but under difficult and unpromising circumstances. Modern India is often celebrated as the world’s largest democracy. But… it is a project to create a nation where none existed. The societies of British India were multiple and varied and not easily assimilated as one.

And in the backdrop of the modern story, because it is fundamental to the contemporary history of India, Pakistan, and Bangladesh – we have to recognize the violence of the partition in 1947.

The stories that he offered were stories from the periphery, but they shine light on the heart of the project.

1) The example of Jammu and Kashmir, which posed a particular dilemma. It had a Hindu ruler and a Muslim majority. Would it become part of India? Or Pakistan? Or cling to independence. You know the story now. Under pressure from Pakistan, in 1947, the Maharajah would agree to accede to the new state of India, but with guarantees for the respect of a distinct Kashmir identity

And you heard about the story of Sheik Mohammed Abdullah, the Muslim leader of Kashmir who was sympathetic to the social ideals of Jawaharlal Nehru and India

Radio sets of Kashmir that could only tune in to the official news of Radio Kashmir.

And the promise of a modern socialist utopia, that would bring education, land reform, and modern technologies to Kashmir… with a devil’s bargain, that required ignoring democracy and the popular will of Kashmiris. And so Sheikh Abdullah was arrested and ultimately Kashmiri autonomy and special dispensations would be limited.

In the 1980s and 1990s, as Islamist separatist movements have used techniques of terrorism, Indian state has struck back. It has been in stalemate since 2019.

A question of the modern nation. Note that the first maps of British India didn’t identify the borders of Kashmir. Partition created arbitrary borders. But in time, these borders would shape experience and identities.

The point: nationhood is malleable. Territorial sovereignty is a modern idea. But it is one that has produced remarkable violence.

2) Another story – a small village in east of India near the Myanmar border (I need to check the name). Villagers ordered by the Indian military to burn their own village and relocate. And then, when they refused, their village was burned and they were forceably relocated by the Indian military.

After three generations, it is a forgotten example of the use of force in the making of the nation.

3) Hyderabad. Reverse of Kashmir. Muslim ruler and Hindu majority. Also with a peasant insurgency demanding land reform. Remained independent in 1947. What would happen to this state? Indian Army moved against Maharajah and against peasant insurgents to control the region and bring it into modern India. Tactics included torture, ethnic cleansing, and mass violence.

In these actions, the Indian state and Indian military – especially in the 1950s – drew on tactics it had learned from the British anti-colonial campaigns in Malaya and Kenya.

The principle was a simple one – to “win hearts and minds.” In practice this was a euphemism for mass violence and ethnic cleansing. And Indian troops participated. See the Malayan Emergency. Or the attempts to put down the Mau-Mau Rebellion. See, for example, the work of the historian Carol Elkins, who has revealed the hidden story of colonial violence.

The Indian government and army used these same tactics – tactics left behind by the British.

In Conclusion

For Swami, from the point of view of 2024, the choices that the Indian govt made in the 1950s – relocations, bombings, torture, ethnic cleansing – are repugnant. The story of these events is often forgotten and lost – we need to save these stories and understand them.

Need to understand this history of violence that is tied to the modern nation-state.

Song of the Day – Vande Mataram by MIDIval Punditz

A song for contemporary India? Listen to this electronica remix of the Indian national song. “Vande Mataram” by MIDIval Punditz. The lyrics come from a 19th c. poem written in “Sanskritised” Bengali, which praises “Mother India.” It had a prominent place in the independence movement and was recognized by the Indian National Congress and later the Indian assembly as the “national song” of India, although India also has a national anthem, “Jana Gana Mana”…

Song of the Day – Chaiyya Chaiyya

For a bit of fun – and one of the most famous dance scenes in Bollywood – see “Chaiyya Chaiyya,” from the 1998 Hindi film, Dil Se (From the Heart) starring Manisha Koirala and Shahrukh Khan. The music was composed by A.R. Rahman, drawing upon a devotional Sufi lyric…

Song of the Day – Kyu Sakamoto “Sukiyaki” (1961)

A couple details from Wikipedia:

“Ue o Muite Arukō” was written by lyricist Rokusuke Ei and composer Hachidai Nakamura. The lyrics tell the story of a man who looks up and whistles while he is walking so that his tears will not fall, with the verses describing his memories and feelings. Ei wrote the lyrics while walking home from participating in the 1960 Anpo protests against the U.S.–Japan Security Treaty, expressing his frustration and dejection at the failed efforts to stop the treaty. However, the lyrics were purposely generic so that they might refer to any lost love….

The song spent three weeks at the top of the American Billboard charts in June 1963. It has been described as a metaphor for the emerging post-World War II global expansion of Japan onto the world scene.

Song of the Day – Sona Jobarteh – Gambia

Love her music – and this song, which celebrates 50 years of Gambian independence. Sona Jobarteh is an amazing artist from Gambia, now living in Britain. She is ” the first professional female Kora virtuoso to come from any of the West African Griot dynasties.” Beautiful music and meaningful messages…

Songs of the Day – A Few Songs to Start Our Week of African History

We would need a semester to explore the musical traditions of Africa – and an experienced musicologist to lead us – but I’ll get us started for our week on African history with a few songs worth listening to.

From Salif Keita, the “golden voice of Africa,” famous for mixing Malian music traditions with international styles, here is his 1995 hit, “Africa.”

A couple years ago, Angelique Kidjo provided an update, with the help of Salif Keita himself and the popular Nigerian artist Mr. Eazi: “Africa, One Of A Kind,” She explained: “We are all Africans and the blood of Africa runs through our life. This song, which I recorded with one of the icons of the new generation of African artists, is a declaration of love to the continent. We want to change the way it is portrayed and show its beauty to the world”

And for something a bit different, the hugely popular song from the Nigerian Afro-pop star Yemi Alade. This song and the video, “Johnny,” was a huge hit.

Song of the Day – Shakira ft. Wyclef Jean – Hips Don’t Lie (2006)

Professor, really? Yes! Shakira provides a roundabout introduction to an important theme for the week to come: the mix of cultures – transculturation – that is so important to Latin American history. The beat is cumbia, the Afro-Indigenous musical tradition that lies at the heart of so much Latin American music. We’ve got Shakira, “Queen of Latin Music,” one of the most influential musical artists of our time. Born in Columbia, with Spanish and Lebanese ancestry, her story reflects the diversity of Latin American experiences. And then we have Wyclef Jean, Haitian-American rapper and producer. The song went to #1 in 55 countries…